{"id":24824,"date":"2024-06-27T18:16:48","date_gmt":"2024-06-27T15:16:48","guid":{"rendered":"https:\/\/www.ircica.org\/faaliyetler\/online-panel-on-preservation-of-architectural-heritage-in-azerbaijan"},"modified":"2024-07-01T13:37:49","modified_gmt":"2024-07-01T10:37:49","slug":"azerbaycan-mimari-mirasini-koruma-calismalari-cevrimici-paneli","status":"publish","type":"post","link":"https:\/\/www.ircica.org\/tr\/faaliyetler\/konferans\/azerbaycan-mimari-mirasini-koruma-calismalari-cevrimici-paneli","title":{"rendered":"“Azerbaycan Mimari Miras\u0131n\u0131 Koruma \u00c7al\u0131\u015fmalar\u0131” \u00e7evrimi\u00e7i paneli"},"content":{"rendered":"

\u201cIRCICA Miras Konu\u015fmalar\u0131\u201d serisinde 27 Haziran 2024 tarihinde IRCICA taraf\u0131ndan Azerbaycan Mimarlar Birli\u011fi i\u015fbirli\u011fiyle \u201cAzerbaycan’da Mimari Miras\u0131n Korunmas\u0131\u201d konulu \u00e7evrimi\u00e7i bir panel d\u00fczenlendi. Panelde d\u00f6rt konu\u015fmac\u0131 yer ald\u0131: Azerbaycan Cumhuriyeti K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131\u2019na ba\u011fl\u0131, K\u00fclt\u00fcrel Miras\u0131n Korunmas\u0131, Geli\u015ftirilmesi ve Restorasyonu Devlet Hizmeti Ba\u015fkan\u0131 Sabina Hajiyeva; \u015eu\u015fa \u015eehri Devlet Koruma Alan\u0131 K\u00fclt\u00fcrel Miras Dairesi Ba\u015fkan\u0131 Mimar Muslum \u0130mranl\u0131; Devlet Turizm Ajans\u0131 Rezerv Y\u00f6netim Merkezi Mimarl\u0131k B\u00f6l\u00fcm Ba\u015fkan\u0131 Mimar G\u00fclnar Aliyeva; Devlet Tarih\u00ee-Mimari Koruma Alan\u0131 \u201c\u0130\u00e7eri\u015feher\u201d \u0130daresi uzman mimarlar\u0131ndan Leyli Mustafayeva.<\/p>\n

IRCICA Mimari Miras B\u00f6l\u00fcm\u00fc Ba\u015fkan\u0131 Dr. Alidost Ertu\u011frul a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131nda, Azerbaycan’da mimari miras\u0131n restorasyonu ve korunmas\u0131 durumunu ele alacak ortak panelin d\u00fczenlenmesinde g\u00f6sterdikleri i\u015fbirli\u011finden dolay\u0131 Azerbaycan Mimarlar Birli\u011fi’ne te\u015fekk\u00fcr etti. Azerbaycan Mimarlar Birli\u011fi ad\u0131na Dr. Sheyda Novruzzade bir konu\u015fma yaparak Azerbaycan Cumhuriyeti’nin, korunmas\u0131 ve aktar\u0131lmas\u0131 gereken ulusal miras\u0131 ve ayn\u0131 zamanda d\u00fcnya miras\u0131n\u0131n bir par\u00e7as\u0131 olan k\u00fclt\u00fcrel ve mimari miras\u0131n\u0131n yeniden in\u015fas\u0131, restorasyonu ve rehabilitasyonuna verdi\u011fi \u00f6nemi vurgulad\u0131.<\/p>\n

\u0130lk konu\u015fmac\u0131 Dr. Sabina Hajiyeva, \u201cSilahl\u0131 \u00c7at\u0131\u015fma Kar\u015f\u0131s\u0131nda Azerbaycan’\u0131n K\u00fclt\u00fcrel Miras\u0131\u201d ba\u015fl\u0131kl\u0131 bir sunum yapt\u0131. Bilindi\u011fi gibi Azerbaycan\u2019\u0131n 2020 y\u0131l\u0131nda, neredeyse 30 y\u0131ld\u0131r i\u015fgal alt\u0131nda olan topraklar\u0131n\u0131 kurtard\u0131\u011f\u0131n\u0131; 44 g\u00fcn s\u00fcren kurtulu\u015f sava\u015f\u0131n\u0131n ard\u0131ndan geride kalan \u00e7at\u0131\u015fma d\u00f6neminden sonra art\u0131k miras\u0131n yeniden tesis edilmesi, kalk\u0131nma ve refah ile birlikte b\u00fcy\u00fck bir de\u011fi\u015fim d\u00f6neminin ba\u015flad\u0131\u011f\u0131n\u0131 s\u00f6yledi. An\u0131tlar\u0131n \u00e7at\u0131\u015fmalar s\u0131ras\u0131nda tahrip edilmesi yaln\u0131zca bu an\u0131tlar\u0131n de\u011fil, ayn\u0131 zamanda tarihin ve k\u00fclt\u00fcrel kimli\u011fin de kaybolmas\u0131yla sonu\u00e7lanmaktad\u0131r. \u0130\u015fgal alt\u0131ndaki Karaba\u011f b\u00f6lgesi binlerce y\u0131ll\u0131k k\u00fclt\u00fcrel ve mimari miras a\u00e7\u0131s\u0131ndan olduk\u00e7a zengindir; mimari yap\u0131lar, arkeolojik eserler, bah\u00e7eler ve parklar, ve uygulamal\u0131 sanat objeleri dahil olmak \u00fczere farkl\u0131 miras eserleri kategorileri hakk\u0131nda rakamlar verdi. Bu varl\u0131klar\u0131n farkl\u0131 inan\u00e7 ve k\u00fclt\u00fcrlere ait oldu\u011funu ifade eden Hac\u0131yeva, mevcut olan ve olmayan an\u0131tlar\u0131n tam olarak ara\u015ft\u0131r\u0131lmas\u0131 ve de\u011ferlendirilmesinin hen\u00fcz tamamlanmad\u0131\u011f\u0131n\u0131, \u00e7\u00fcnk\u00fc bir\u00e7ok b\u00f6lgede h\u00e2l\u00e2 may\u0131nlar\u0131n bulundu\u011funu kaydetti. \u0130\u015fgalden \u00f6nce ve sonra incelenen 705 an\u0131ttan 60’\u0131n\u0131n yery\u00fcz\u00fcnden silinmi\u015f, 111’inin neredeyse tamamen yok edilmi\u015f, 110’unun son derece acilen tamir gerektiren, 18’inin acilen m\u00fcdahaleye muhta\u00e7, 173’\u00fcn\u00fcn az hasarl\u0131 ve sadece 6 tanesinin iyi durumda oldu\u011funu belirtti. Prof. Hajiyeva daha sonra Karaba\u011f b\u00f6lgesinden bir\u00e7ok \u00f6nemli an\u0131t\u0131n tarih\u00e7esini verdi, durumlar\u0131n\u0131 anlatt\u0131 ve restorasyon \u00e7al\u0131\u015fmalar\u0131 hakk\u0131nda bilgiler verdi.<\/p>\n

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Mimar Muslim \u0130mranl\u0131, \u201c\u015eu\u015fa \u015eehri Mimari Miras\u0131n\u0131 Koruma Uygulamalar\u0131\u201d ba\u015fl\u0131kl\u0131 sunumunda, \u00e7at\u0131\u015fmalar s\u0131ras\u0131nda \u015eu\u015fa\u2019n\u0131n ve tarih\u00ee mahallelerinin ciddi zarar g\u00f6rd\u00fc\u011f\u00fcn\u00fc s\u00f6yledi. B\u00f6lgenin \u201ck\u00fclt\u00fcr ba\u015fkenti\u201d \u015eu\u015fa’y\u0131, tarihini, mimari \u00f6zelliklerini, geleneksel yap\u0131lar\u0131n\u0131n tipik unsurlar\u0131n\u0131 tan\u0131tt\u0131. Tarih\u00ee yap\u0131lar\u0131n tamam\u0131na yak\u0131n\u0131 yerel al\u00e7\u0131ta\u015f\u0131ndan, minareleri ve kap\u0131lar\u0131 tu\u011fladan yap\u0131lm\u0131\u015f olup y\u00fcr\u00fcrl\u00fckteki restorasyon projelerinde kaliteli yeni malzemeler de kullan\u0131lmaktad\u0131r. Baz\u0131lar\u0131 Azerbaycan k\u00fclt\u00fcr\u00fcn\u00fcn \u00f6nde gelen \u015fahsiyetlerinin isimlerini ta\u015f\u0131yan \u00e7ok say\u0131da cami, saray, kamu yap\u0131lar\u0131 ve konutlar \u00e7at\u0131\u015fmalarda y\u0131k\u0131lm\u0131\u015ft\u0131r. Konu\u015fmac\u0131, farkl\u0131 il\u00e7elerin tarihini, an\u0131tlar\u0131n\u0131, bunlar\u0131n koruma durumlar\u0131n\u0131 tan\u0131tt\u0131 ve devam eden restorasyon projeleri hakk\u0131nda genel bilgiler verdi: metodolojileri, materyalleri, ar\u015fivler dahil kullan\u0131lan bilgi kaynaklar\u0131, vb. konulara ve ayr\u0131ca, restorasyon plan ve programlar\u0131n\u0131n geli\u015fimine de\u011findi.<\/p>\n

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Mimar G\u00fclnar Aliyeva, \u201cGe\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze \u015eeyh Muhammed Camii, Baskal, \u0130smay\u0131ll\u0131 Mahallesi\u201d konusunu ele ald\u0131. Detayl\u0131 \u00e7izim ve foto\u011fraflara dayanarak caminin tarih\u00ee katmanlar\u0131n\u0131, bile\u015fimindeki malzemeleri, hamam, su sistemi, kanalizasyon, \u00e7\u0131nar a\u011fac\u0131n\u0131n ya\u015f\u0131 gibi unsurlar\u0131n\u0131 anlatt\u0131. Aliyeva neden bu camiyi tan\u0131tmaya \u00f6nem verdi\u011fini a\u00e7\u0131klarken, tarih\u00ee eser olarak ta\u015f\u0131d\u0131\u011f\u0131 \u00f6nemin yan\u0131nda restorasyon \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda ortaya \u00e7\u0131kan arkeolojik \u00f6zelliklerini vurgulad\u0131; bu \u00f6zellikler dolay\u0131s\u0131yla bu an\u0131t\u0131n restorasyonu ve yeniden kullan\u0131ma konmas\u0131n\u0131n hibrit bir proje oldu\u011funu belirtti. An\u0131t\u0131n \u00e7evresindeki ekonomik ve k\u00fclt\u00fcrel ortam ve di\u011fer an\u0131tlarla birlikte d\u00fc\u015f\u00fcn\u00fclmesiyle bu durum daha net ortaya \u00e7\u0131kmaktad\u0131r: Azerbaycan’\u0131n kuzeyinde, Kafkasya’n\u0131n eteklerinde yer alan Baskal yerle\u015fimi, ola\u011fan\u00fcst\u00fc geleneksel el sanatlar\u0131na ve \u00fcretim tekniklerine, \u00f6zellikle ipek \u00fcretimine, ayr\u0131ca seramik ve metal i\u015f\u00e7ili\u011fine sahiptir ve bu cami yap\u0131s\u0131 bu zenginlikleri yans\u0131tmaktad\u0131r. Konu\u015fmac\u0131 bu caminin \u00e7e\u015fitli bile\u015fenleriyle birlikte Baskal hakk\u0131nda, b\u00f6lgenin sanatlar\u0131 ve el i\u015f\u00e7ili\u011fi \u00fczerine ve ayr\u0131ca \u0130slami ilimler, tasavvuf ve t\u00fcm b\u00f6lgenin k\u00fclt\u00fcrel miras\u0131 hakk\u0131nda bir bilgi deposu oldu\u011funu s\u00f6yledi.<\/p>\n

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Mimar Leyli Mustafayeva \u201c\u0130\u00e7eri\u015fehir\u2013 Bir A\u00e7\u0131k Hava M\u00fczesi\u201d ba\u015fl\u0131kl\u0131 bir konu\u015fma yapt\u0131. Bak\u00fc’deki \u0130\u00e7eri\u015fehir Devlet Tarih ve Mimari Rezerv \u0130daresini tan\u0131tt\u0131. Foto\u011fraflara dayanarak her yap\u0131n\u0131n mimari plan ve yap\u0131 \u00f6zelliklerini, yans\u0131tt\u0131\u011f\u0131 k\u00fclt\u00fcrel etkileri anlatt\u0131. Konu\u015fmas\u0131n\u0131n bir ba\u015fka b\u00f6l\u00fcm\u00fcnde Mustafayeva, rezervde y\u00fcr\u00fct\u00fclen farkl\u0131 restorasyon projelerinin ama\u00e7lar\u0131, y\u00f6ntemleri ve a\u015famalar\u0131 hakk\u0131nda bilgi verdi. Kapan\u0131\u015f konu\u015fmas\u0131nda konu\u015fmac\u0131lara te\u015fekk\u00fcr eden Dr. Alidost Ertu\u011frul, \u0130\u00e7eri\u015fehir Rezerv b\u00f6lgesi ile ilgili olarak bu b\u00f6lgenin ayn\u0131 zamanda g\u00fcndelik ya\u015fam\u0131yla canl\u0131 bir kent \u00e7evresi olma \u00f6zelli\u011fiyle \u00f6rnek bir restorasyon ve koruma b\u00f6lgesi olarak \u00f6zellikle dikkat \u00e7ekici oldu\u011funu belirtti.<\/p>\n

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Panelin sonunda Azerbaycan\u2019dan bu panelin d\u00fczenlenmesinde yard\u0131mc\u0131 olan Dr. Rizvan Bayramov, bu ortak panel vesilesiyle ger\u00e7ekle\u015fen i\u015fbirli\u011fi i\u00e7in IRCICA\u2019ya ve Dr. Ertu\u011frul’a te\u015fekk\u00fcr etti; iki taraf aralar\u0131ndaki i\u015fbirli\u011fini daha da geli\u015ftirme arzusunu dile getirdiler.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cIRCICA Miras Konu\u015fmalar\u0131\u201d serisinde 27 Haziran 2024 tarihinde IRCICA taraf\u0131ndan Azerbaycan Mimarlar Birli\u011fi i\u015fbirli\u011fiyle \u201cAzerbaycan’da Mimari Miras\u0131n Korunmas\u0131\u201d konulu \u00e7evrimi\u00e7i bir panel d\u00fczenlendi. Panelde d\u00f6rt konu\u015fmac\u0131 yer ald\u0131: Azerbaycan Cumhuriyeti…<\/p>\n","protected":false},"author":28,"featured_media":24806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_mi_skip_tracking":false,"footnotes":""},"categories":[232],"tags":[],"cmcal_calendar":[],"class_list":["post-24824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konferans"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts\/24824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/comments?post=24824"}],"version-history":[{"count":2,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts\/24824\/revisions"}],"predecessor-version":[{"id":24826,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts\/24824\/revisions\/24826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/media\/24806"}],"wp:attachment":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/media?parent=24824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/categories?post=24824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/tags?post=24824"},{"taxonomy":"cmcal_calendar","embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/cmcal_calendar?post=24824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}