{"id":31151,"date":"2025-10-02T13:30:54","date_gmt":"2025-10-02T10:30:54","guid":{"rendered":"https:\/\/www.ircica.org\/faaliyetler\/lectures-on-the-arts-of-calligraphy-and-illumination-ircica-and-istanbul-historical-areas-area-presidency"},"modified":"2025-10-02T14:00:36","modified_gmt":"2025-10-02T11:00:36","slug":"hat-ve-tezhip-sanatlari-soylesisi","status":"publish","type":"post","link":"https:\/\/www.ircica.org\/tr\/faaliyetler\/konferans\/hat-ve-tezhip-sanatlari-soylesisi","title":{"rendered":"Hat ve Tezhip Sanatlar\u0131 S\u00f6yle\u015fisi"},"content":{"rendered":"
Hat sanat\u0131 uzman\u0131 Prof. Dr. U\u011fur Derman ve tezhip sanat\u0131 uzman\u0131 Prof. Dr. \u00c7i\u00e7ek Derman\u2019\u0131n konu\u015fmalar\u0131yla hat ustas\u0131 ve hocas\u0131 Sn. Efdaluddin K\u0131l\u0131\u00e7 moderat\u00f6rl\u00fc\u011f\u00fcnde ger\u00e7ekle\u015ftirilen \u201cGelenekli Sanatlar\u0131n Merkezi \u0130stanbul\u201d S\u00f6yle\u015fisi \u0130stanbul Tarih Alanlar\u0131 Alan Ba\u015fkanl\u0131\u011f\u0131 ve IRCICA i\u015fbirli\u011finde 1 Ekim 2025\u2019te IRCICA\u2019da d\u00fczenlenmi\u015ftir. T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, K\u00fclt\u00fcr Yolu Festivali \u00e7er\u00e7evesinde, \u0130stanbul\u2019un UNESCO D\u00fcnya Miras\u0131 Listesine kaydedili\u015finin 40. Y\u0131l\u0131 vesilesiyle ger\u00e7ekle\u015ftirilen etkinlikte IRCICA\u2019da 27 Eyl\u00fcl-5 Ekim 2025 aras\u0131nda yer alan sergi de sunulmu\u015ftur. Etkinlik \u0130stanbul Tarih Alanlar\u0131 Alan Ba\u015fkan\u0131 Sn. M. Mustafa Tural\u2019\u0131n \u0130stanbul\u2019un UNESCO D\u00fcnya Miras\u0131 Listesine kaydedili\u015f s\u00fcreci ve bununla ilgili g\u00fcn\u00fcm\u00fczdeki \u00e7al\u0131\u015fmalar \u00fczerine konu\u015fmas\u0131 ve belgesel film g\u00f6sterimiyle tamamlanm\u0131\u015ft\u0131r.<\/div>\n
\n
\n
Prof. Dr. U\u011fur Derman hat sanat\u0131 ve \u0130slam tarihindeki geli\u015fmesi \u00fczerine engin bilgiler veren, hat eserlerinden zengin \u00f6rnekler e\u015fli\u011findeki konu\u015fmas\u0131nda \u00f6nce, hat sanat\u0131nda kullan\u0131lan \u00e2letleri ve malzemeyi tan\u0131tt\u0131. Ard\u0131ndan, yine eserler \u00fczerinde detayl\u0131 a\u00e7\u0131klamalarla beraber, \u00e7e\u015fitli d\u00f6nemlerde ve g\u00fcn\u00fcm\u00fczde yayg\u0131n kullan\u0131lan yaz\u0131 \u00e7e\u015fitlerini, levhalar\u0131n haz\u0131rlanmas\u0131ndaki usul ve merhaleleri anlatt\u0131. \u0130stanbul\u2019un tarih\u00ee binalar\u0131ndan, yazma eserlerin sayfalar\u0131ndan ve hat levhalar\u0131ndan se\u00e7ilmi\u015f yaz\u0131lar\u0131n \u00fcsl\u00fbp ve istif \u00f6zelliklerini a\u00e7\u0131klad\u0131. Hat sanat\u0131n\u0131n uyguland\u0131\u011f\u0131 alanlar\u0131 anlatt\u0131 ve bir hat levhas\u0131n\u0131n, mesela bir Hilyenin ihtiva etti\u011fi unsurlar\u0131 tarif etti. Prof. U\u011fur Derman ayr\u0131ca bu sanat\u0131n geli\u015fmesinde d\u00f6n\u00fcm noktas\u0131 olu\u015fturmu\u015f, k\u00f6pr\u00fc ki\u015filer olarak iz b\u0131rakm\u0131\u015f hattatlardan bahsetti ve eserlerinden \u00f6rnekler g\u00f6stererek bunlar\u0131 a\u00e7\u0131klad\u0131.<\/div>\n
Prof. Dr. \u00c7i\u00e7ek Derman tezhip sanat\u0131 \u00fczerine ayd\u0131nlat\u0131c\u0131 ve kapsaml\u0131 konu\u015fmas\u0131nda \u0130stanbul’un m\u00fczelerinden, tarih\u00ee koleksiyonlardan ve yazma kitaplardan se\u00e7ilmi\u015f farkl\u0131 y\u00fczy\u0131llara ait eserlerin resimlerine dayanarak bilgiler verdi. Tezhip sanat\u0131n\u0131n T\u00fcrklerde hat sanat\u0131ndan daha eskilere, Uygurlara dayanan tarihinden s\u00f6z etti, tezhibin tek ba\u015f\u0131na kendi eserlerini \u00fcreten bir sanat oldu\u011funu ve ayn\u0131 zamanda hat eserlerini bezemek ve onlar\u0131 \u00f6ne \u00e7\u0131karmak i\u00e7in uyguland\u0131\u011f\u0131n\u0131 anlatt\u0131. Kullan\u0131lan ba\u015fl\u0131ca \u00e2let olarak f\u0131r\u00e7adan s\u00f6z etti ve bir tezhip eserinde kullan\u0131lacak olan alt\u0131n\u0131n haz\u0131rlanma s\u00fcrecini tarif etti. Bu sanat\u0131n \u0130stanbul\u2019da zirvesine ula\u015ft\u0131\u011f\u0131 15. y\u00fczy\u0131ldan itibaren ge\u00e7irdi\u011fi d\u00f6nemleri, bu d\u00f6nemlerde reva\u00e7ta olan motifleri ve renkleri anlatt\u0131; 18. y\u00fczy\u0131ldan itibaren etkili olan Rokoko tarz\u0131ndan ve h\u00e2kim motifi g\u00fcl ve di\u011fer ay\u0131rt edici \u00f6zelliklerinden bahsederek ilgili eserlerden \u00f6rnekler g\u00f6sterdi. Prof. Derman ayr\u0131ca Saray at\u00f6lyelerini ve bu at\u00f6lyelerin b\u00fcnyesindeki i\u015f organizasyonunu anlatt\u0131, daha yak\u0131n zamanlarda m\u00fcnferit sanatk\u00e2rlar\u0131n \u00e7al\u0131\u015fmalar\u0131ndan bilgiler verdi.<\/div>\n<\/div>\n

\"\"<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Hat sanat\u0131 uzman\u0131 Prof. Dr. U\u011fur Derman ve tezhip sanat\u0131 uzman\u0131 Prof. Dr. \u00c7i\u00e7ek Derman\u2019\u0131n konu\u015fmalar\u0131yla hat ustas\u0131 ve hocas\u0131 Sn. Efdaluddin K\u0131l\u0131\u00e7 moderat\u00f6rl\u00fc\u011f\u00fcnde ger\u00e7ekle\u015ftirilen \u201cGelenekli Sanatlar\u0131n Merkezi \u0130stanbul\u201d S\u00f6yle\u015fisi…<\/p>\n","protected":false},"author":28,"featured_media":31149,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_mi_skip_tracking":false,"footnotes":""},"categories":[232],"tags":[],"cmcal_calendar":[],"class_list":["post-31151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konferans"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts\/31151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/comments?post=31151"}],"version-history":[{"count":1,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts\/31151\/revisions"}],"predecessor-version":[{"id":31153,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/posts\/31151\/revisions\/31153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/media\/31149"}],"wp:attachment":[{"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/media?parent=31151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/categories?post=31151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/tags?post=31151"},{"taxonomy":"cmcal_calendar","embeddable":true,"href":"https:\/\/www.ircica.org\/tr\/wp-json\/wp\/v2\/cmcal_calendar?post=31151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}